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Flashbacks to the 2015 Campaign

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Katy Tur at SXSW
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Several years ago, I got Mrs Dr Peterr Katy Tur’s book Unbelievable: My Front-Row Seat to the Craziest Campaign in American History. Tur had been the NBC reporter assigned to the Trump campaign in 2015 and 2016, and listening to the impeachment coverage yesterday and the coverage this morning, one episode she recounted in the book came flashing back . . .

In Dec 2015, three days before Trump announced his pledge to institute a Muslim travel ban, Trump got rattled at a rally in Raleigh NC where protesters coordinated their efforts and threw him off his game, interrupting his speech every couple of minutes from different parts of the arena. Disgusted, Trump abruptly left the podium and started shaking hands offstage, and Tur sent out a simple tweet describing what had happened.

Right before lunch the next day, Hope Hicks wrote her to say “Katy, Mr. Trump thought your tweets from last night were disgraceful. Not nice! Best, Hope.” Shortly thereafter, the media gets the word about the travel ban Trump intended to announce that night, and that becomes the big story of the day with Katy doing liveshots all afternoon. That evening, before a rally inside the USS Yorktown (an aircraft carrier-turned-museum in Charleston harbor), Trump blasted her with four attack tweets in the span of four minutes.

Tur says the rally’s specific location was a surprise, in that it wasn’t held on the carrier deck but inside the belly of the ship, with the media crowded into a pen.

Yes, we are in a pen: a makeshift enclosure made of bicycle racks and jammed full of desks, reporters, and camera equipment. We’re in the middle of the carrier, slammed against the right side wall. As usual, almost all of Trump’s supporters are white and a lot of them are looking at us, not exactly kindly. The campaign and Secret Service force us to stay inside the pen while Trump is onstage. They even discourage bathroom breaks. None of them have a good explanation for why we’re kept separate from the supporters. Are we the threat or are they?

Trump starts his rambling speech, and the crowd eats it up. Then Trump opens up on the media.

“The mainstream media,” Trump says. “These people back here, they’re the worst. They are so dishonest.”

Hoots and hollers.

And then I hear my name.

“She’s back there, little Katy. She’s back there.”

Trump then calls her a liar several times, and a third rate reporter several times as well, before pivoting to a more general attack on the media. Finally, once he’s got the crowd sufficiently whipped up, he formally announces the Muslim ban, and the crowd which she described earlier as looking at her like “a large animal, angry and unchained” went nuts.

She goes live with Chris Matthews as Trump leaves the stage, and when she’s done with that, Chris Hayes takes over and wants to keep her on the air for the lead story on his show that followed Matthews’.

[Trump] supporters are taking their time to leave. They’re still whipped up. I know someone is going to start yelling at me as soon as I start talking. So I do what I always do. I find the pinhole deep in the back of the lens and I tune everything else out.

A couple of minutes later, I’m done. The crowd that had gathered behind my live shot is gone except for a few stragglers, yelling at me. They’re five feet away, held back by those lousy bicycle racks. A Trump staffer shoos them away. MSNBC has cleared me and my bosses want [her cameraman/sound tech] Anthony and me to get out of there as quickly as we can. I don’t quite understand why until we pack up and start to head out. A Trump staffer stops me and says “These guys are going to walk you out.”

I look over and see two Secret Service agents. Thank goodness. They walk Anthony and me along the gangway back to our car. It’s pitch black and I’m nervous. We’re parked with the crowd.

Once we’re moving, I take a look at my phone. My mom has called. And called. And called. I dial her back. “Are you okay? Where are you staying? Can someone stay with you? You need security!? She is crying. And it hits me.

I’m a target.

On that day in December 2015, the security professionals of the US Secret Service recognized that Trump was dangerously inciting a mob, and stepped in to protect the target he had singled out.

On January 6, 2021, Trump again incited a mob, and this time there was no one to stop them.

NBC News Hires Edison Carter and Blank Reg For Big Time TV

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NBC News, showing it can move 20 minutes into the future, has made a new and exciting digital acquisition. From Brian Stelter (who was a great replacement for Howard Kurtz today on CNN’s “Reliable Sources”. Seriously) at the New York Times:

When a plane crashes or a protest turns violent, television crews speed to the scene. But they typically do not arrive for minutes or even hours, so these days photos and videos by amateurs — what the news industry calls “user-generated content” — fill the void.

Those images, usually found by frantic producers on Twitter and Facebook, represented “the first generation of user-generated content for news,” said Vivian Schiller, the chief digital officer for NBC News. The network is betting that the next generation involves live video, streamed straight to its control rooms in New York from the cellphones of witnesses.

On Monday, NBC News, a unit of Comcast’s NBCUniversal, will announce its acquisition of Stringwire, an early stage Web service that enables just that. Ms. Schiller imagined using Stringwire for coverage of all-consuming protests like those that occurred in Tahrir Square in Cairo.

“You could get 30 people all feeding video, holding up their smartphones, and then we could look at that,” she said in an interview by phone. “We’ll be able to publish and broadcast some of them.”

Such a vision fits neatly into the future many academics predict. That future has fewer professional news-gatherers but many more unpaid eyes and ears contributing to news coverage.

Before we delve too far into the analogies with the once dystopian future we are now quickly inhabiting, it should be acknowledged that, while new and exciting, this is really just a big incremental step ahead of what CNN has been doing for a while with its “iReport” function.

But the Stringwire capability would look to provide even greater immediacy than CNN’s iReport and, perhaps, even streaming coverage. There is, of course, a very negative side to this potential should unfortunately slanted or particularly grotesque coverage be presented. Also a very real concern is the potential for interference in law enforcement investigations and trauma to people effected and/or prejudiced, including witnesses, defendants and future jury pools, by publication before news is ripe and edited.

The above being said, for my part, I find Groman’s Stringwire concept to be pretty exciting and think it a pretty smart move by Vivian Schiller and NBC News. But, boy howdy, does it bring to mind the once and, apparently future, dystopian information landscape of Max Headroom. From Wiki:

The series is set in a futuristic dystopia ruled by an oligarchy of television networks. Even the government functions primarily as a puppet state of the network executives, serving mainly to pass laws — such as banning off switches on televisions — that protect and consolidate the networks’ power. Television technology has advanced to the point that viewers’ physical movements and thoughts can be monitored through their television sets; however, almost all non-television technology has been discontinued or destroyed. The only real check on the power of the networks is Edison Carter, a crusading investigative journalist who regularly exposes the unethical practices of his own employer, and the team of allies both inside and outside the system who assist him in getting his reports to air and protecting him from the forces that wish to silence or kill him.

To elaborate a little, Edison Carter of “Network 23” is one of several journalists, including another character by the name of “Blank Reg” of “Big Time TV”, who scour the landscape as one man newscrews, just them and their own videocam, for breaking news that will live feed instantaneously to their national networks to drive ratings. So, you can see the analogy to NBC’s Stringwire concept.

One difference between Max Headroom and the current television news existence is that, in Max Headroom, the television broadcasters wholly consumed and dictated to a puppet state government. The current existence of television news seems more tilted to the profit centered, shallow mass consumption oriented, stenography of government issued and manipulated propaganda. One need only look back at the coverage of the Iraq war, Afghanistan, Guantanamo, torture, the rise of the surveillance state or any report from Barbara Starr at CNN (thank you Michael Hastings) to see the problem.

So, while there is certainly potential for some concerns, maybe a function like Phil Groman’s Stringwire at NBC News can not just bring an immediacy to television news, but eradicate some of the governmentally issued bullshit that results from “Breaking News” from the likes of Barbara Starr.

All hail the future. Big Time Television, “All day every day, making tomorrow seem like yesterday.”

Memo To The Clueless Nepotistically Self Unaware Flexible Bag Of Mostly Water Known As Luke Russert

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Russert Nantucket Estate

………………..Russert Nantucket Estate……………….

Has there ever been a more self unaware little ball of unworthy entitled Beltway nepotism than Luke Russert? I ask that as an honest question, because it is quite possible the answer is no. The story of Luke, son of Tim, is mostly public record.

Let’s take a look at the latest from L’il Luke, humbly entitled:

Luke Russert: Like Me, Paul Ryan Is Driven By Personal Loss

Well, golly, you just know it is going to be an intellectual and cognitively aware barnburner piece from that, no?

Of course it is, because that is the searing literary talent of the one and only Luke Russert; progeny of the Wonder of Whiteboard, Tim Russert. Let us inspect Luke’s Hemmingwayesque prose:

I peppered the congressman with questions about the health care law and budget priorities for an interview a colleague would use on Nightly News. When we were done, we exchanged pleasantries and he got up to leave. After about 15 seconds, he came back in the room and asked me, “How old was your dad when he passed from heart disease?” I told him, “58.” He said, “Mine was 55. My grandfather and great-grandfather both died from heart issues in their 50s, too.” He then asked me if I was into fitness and inquired about my workout regimen. He told me to run more and that I needed to work up a sweat at least five days a week. We both joked about how preventative fish oil supplements had a bad aftertaste.

Oh, what personal pathos these two poor sons have seen. Luke, son of Tim, product of St. Alban’s Academy in Washington DC, was left with a mother who worked for Vanity Fair, an estate and mansion on Nantucket Island fit for a king and a sinecure at NBC.

Bootstraps baby, bootstraps.

And L’il Luke’s brother in hardscrabble upbringing, Paul Ryan? This common man of the people was born the son of a respected lawyer in a Wisconsin town known as Janesville and:

Mr. Ryan, the youngest of Paul M. and Betty Ryan’s four children, was born in 1970 and grew up in Janesville’s historic Courthouse Hill neighborhood…

Like Luke Russert’s traumatic childhood, Paul Ryan suffered such various hardships as being voted Prom King and “Biggest Brown-Noser” in high school.

Oh, the pain they must have suffered, the poor dears.

The smooth stylings of Luke Russert’s searing reportage continue: Read more →